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L’œuvre mosaïque Interruption vitale / Fundamental Disruption de Florence Debeugny traite de la déforestation massive, de la perte de relation avec la nature, de notre place dans la nature. L’œuvre propose une déconstruction de l’image de l’arbre en trois sections … Continue reading
The video installation Ioco / Belcarra Cottages / Port Moody was completed in February 2018. This installation is designed to be displayed on three separate screens accompanied by a 21-minute art sound composition. This installation has been exhibited in a … Continue reading
En français (text in English below) L’œuvre Vis-à-vis / Face to Face créée durant la résidence d’artiste Contextualisation organisée par Réseau Nord-Ouest et financée par Patrimoine canadien et le Conseil des arts du Canada a été présentée en novembre 2018 … Continue reading
While looking like evocative abstract drawing, the tar calligraphy of Night Language reminds us of the wearing out of a manufactured substance that is part of our daily lives in an industrial world. We manufacture tar to temporarily repair the … Continue reading
CAUTION tape is a powerful symbol, causing us to detour around a site, despite the absence of human authority. This CAUTION has entered our subconscious, with its connotation of warning and danger, but do we even bother reading the words? … Continue reading
The project Maillardville 100 ans et plus / Maillardville 100 years and beyond which was exhibited at the art gallery of Evergreen Cultural Centre, in Coquitlam, BC, in March 2009 was composed of three elements: 200 portraits (2 portraits each … Continue reading
Almost Gone, Remains of Cannery Villages is a multi-media collage of photographs, video sequences, interviews and soundtrack. This 26-minute production evokes the essence of abandonment of the canning industry on the central and northern BC coasts, where the remains of … Continue reading
Twenty prints of industrial subjects, photographed through mesh, plastic and glass, were presented in 3 different solo shows and 2 group shows. The varying depths of field creating optical effects suggest a parallel between the subjectivity of photography and the … Continue reading
In 2002 and 2003, Florence Debeugny assembled photographs with found objects. Rusty Pipe was displayed in the Deterioration exhibition at Galiano Art Gallery in 2002. The 18″x28″ photograph was mounted 2 inches away from a rusty metal grid and hanging on … Continue reading