Florence Debeugny is a visual artist based in Vancouver, BC, on the traditional territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Sel̓íl̓witulh (Tsleil-Waututh) Nations. She has exhibited photographs in art galleries, museums and private collections since 2000. Her work has been framed, mounted, installed with found objects, integrated with sound and video, and has also formed part of collaborative projects with other artists.
She focuses her artistic practice on architectural photography of British Columbia’s changing industrial landscape, documenting abandoned or partially run-down structures before they disappear, as seen in At the Edge of Wilderness, Almost Gone – Remains of Cannery Villages and Maillardville 100 years and beyond. Her work raises questions of progress, architectural preservation, housing and culture. She has also developed a photographic abstraction style, as seen in the series Deterioration, Through, Precaution and Night Language.
- Exhibitions, in art galleries and museums
- Genres, artworks categorized under Abstraction, Installations, Photo-documentary, Publications and Video
- Projects, recent projects and research
- Curriculum Vitae, complete list of exhibitions, publications, awards
- Purchase, photographs and screenings of videos
All photographs, videos and soundtracks in this website are the intellectual
property of Florence Debeugny.
Please contact Florence Debeugny by e-mail at email@example.com
Florence Debeugny lives on the ancestral lands
of the Coast Salish peoples:
the Squamish (Sḵwx̱wú7mesh),
the Tsleil-Waututh (Stó:lō and Səl̓ílwətaʔ/Selilwitulh)
and the Musqueam (xʷməθkʷəy̓əm) Nations
© Florence Debeugny 2013-2022